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Over the past 18 years the trad Quebec group Genticorum has become a fixture on the international world, trad, folk and Celtic music circuit. They weave precise and intricate fiddle, flute and accordion work, gorgeous vocal harmonies, energetic foot percussion and guitar accompaniment into a big and jubilant musical feast.

Their distinctive sound, sense of humor and stage presence makes them a supreme crowd pleaser. Known as much for his original compositions as his fine interpretation of traditional tunes, Pascal is the fiddler, singer and arranger of Genticorum , whose CDs have met with critical acclaim in several countries. From a young age, the fiddle music and songs of his native province have captivated him.

Pascal is now as much in demand as a teacher as a performer. He also toured for three years with the award winning Celtic and world group The McDades. His rhythmic yet nuanced style of flute playing draws from Irish and Scottish traditions, as well as from his studies of classical North Indian music. The music of Fru Skagerrak takes you on a journey through Scandinavia; from lowlands to mountains, from slow airs to lively polkas, in major and in minor, and everything in between.

She has performed in many different countries, presenting her passion — the traditional music and gorgeous songs of Central Jutland in Denmark. Her own compositions radiate a special power, and she can bring out cinematic soundscapes from both her more delicate tunes as well as the raw and breathtaking reels. Maja also teaches fiddle, singing and dancing, and she is currently working on publishing a tune book with music from her home area. Norway — Elise Wessel Hildrum recorder, fiddle grew up playing mostly classical music, but discovered the world of folk music at the age of 20 and decided that this was what she wanted to play.

This has been the core of her repertoire through several years of folk music studies. Elise also plays the fiddle, mostly for fun and in social settings.

"Young Edward" Kentucky Old Time fiddle tune played weird and heavy.

She can often be found in the middle of a jam session at festivals both at home and abroad. Sweden — Anna Lindblad fiddle is a versatile fiddler from Sweden whose powerful fiddle playing is steeped in groove, joy and presence.

With a heart beating for Swedish tradition she is not afraid to mix it up with other musical ways of expression. Anna is also frequently playing for traditional dancers and teaches fiddle classes both at home and at different workshops and camps. Vivian is well known in the U. She performs regularly for old time dancing and is one of the leading old time and bluegrass fiddlers on the West Coast.

She has won many fiddle contests in the U.

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Vivian plays primarily in the old-time fiddle styles found among fiddlers in the Pacific Northwest, with an influence of older era bluegrass. She is known as one of the major historians of the pioneer dance music of the Far West, and, particularly, the Pacific Northwest. Vivian is a noted composer of fiddle tunes, and her tunes have been recorded by many prominent folk and bluegrass musicians.

They have been published in folk, fiddle, and bluegrass periodicals, posted on the Internet, and have been used in documentary movies on Northwest history. Vivian has a B. While a teenager, she won state and regional fiddling contests and placed in the top ten at the National Old-time Fiddle Contest. Barbara co-founded a legendary western yodeling band Ranch Romance in the s.

After recording a Grammy-winning album with that band, Barbara left the tour bus life in Texas, returned to Nashville and co-founded a bluegrass music camp called NashCamp still going strong 20 years later. Al is a renowned Midwestern fiddle player and American acoustic music historian who has been performing for almost 60 years. He has recorded widely and has fiddled with old-time, bluegrass, country, country-rock, and swing bands.

A fine singer and versatile instrumentalist, Al has been named a Master Musician by the Iowa Folk Arts Council multiple times, and in he received the first annual Harry Oster Award from the Iowa Friends of Old Time Music for his work in preserving acoustic music. Accompanying Mr. He is an active performer in the Iowa City traditional music scene, playing old-time music with his wife Brandi Janssen and with the quartets New Broom and Goosetown Stringband, as well as with Al Murphy. He also operates a busy teaching studio, instructing students of all ages on fiddle, mandolin, guitar, and banjo.

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Old Time Kentucky Fiddle Tunes

Can You Dance a Tobacco Hill. Chinquipin Hunting. Christmas Eve.

  • The following members say thank you to Randy Smith for this post:!
  • Kitty Puss: Old Time Fiddle Music From Kentucky;
  • Fiddle Tunes Artist Faculty | Centrum.
  • Fiddle Tunes Artist Faculty.

Coal Harbor Bend. Cookhouse Joe. Cotton Bonnet. Cumberland Gap.

Kitty Puss: Old Time Fiddle Music From Kentucky - The Traditional Tune Archive

Devil Eat The Groundhog. Fire In The Mountain. Fire On The Mountain. Five Miles From Town. Flander's Dream. Forked Deer. Garfield's Blackberry Blossom. Glory In The Meeting House. Go Away Pharaoh. Going Across The Sea. Grand Hornpipe. Granny Will Your Dog Bite.

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Granny's Old Pacing Horse. Green Mountain. Headwaters Of Tygart. Hickory Jack. Hog Eyed Man. Horses In The Canebreak. Huldy In The Sinkhole. I've Got A Grandpa. Indian And The Woodhen. Indian Ate The Woodchuck. Indian Squaw. Jeff Sturgeon.

Old Time Reels

Jenny Get Around. Jenny In The Cotton Patch. Jenny Put The Kettle On. Johnny Come Along. Johnny Don't Get Drunk. Kate's Got The Bellyache. Katy Fetch The Soap Home. Playing styles found most commonly in the south-central region include fiddle-banjo combinations associated with African-Americans prior to the Civil War.

There is also an even older tradition of solo fiddle tunes not well suited to banjo. Bowles tends mostly toward the African-American and Monday more toward the solo style. Doc Roberts is particularly notable for the extent to which he merged more modern styles with his older repertoire, much of which came from African American fiddlers of his acquaintance. Toggle navigation. Southeast Counties Fiddle-banjo duets were particularly prevalent in the southeast but the solo tradition was also well represented among fiddlers born as late as the s and s.